Every now and then, a contemporary Italian film gem reveals itself and reminds me why I love Italian cinema. Director Luca Guadagnino's film Io sono l'amore is one such film which deserves attention for its craft, story, and sense of audacity (see also Melissa P. for another amazing Guadagnino film).
The film does not have much of a plot to speak of, but focuses on a minutiae of events that occur in languid succession in and around contemporary Milan. The focus is on the Recchi family, a symbolic powerhouse of the Italian manufacturing sector. Unlike films from the postwar years in which the factory workers would be central narrative figures, the Recchi factory is overshadowed by the events that occur within the family, in their palace. The palace is really a secluded, somewhat dull fortress-house in central Milan. Tilda Swinton plays Emma, a Russian bride who married into the powerful family and remains somewhat outside of the family rules. Her children are growing and changing, and she finds herself becoming increasingly restless after the death of the family patriarch signals a shift in family politics. Emma becomes unstoppably attracted to the cook Antonio, played by Edoardo Gabbriellini, a close friend of her son. As her attraction becomes more intense she begins an emotionally deep and physical affair with Antonio, however going out of her way to hide it. Eventually her son discovers that his best friend and mother are having an affair, and the movie comes to a quick and intense climax.
Nick Vivarelli writes in a 2011 issue of Variety that "Guadagnino's Tilda Swinton-starrer is an awards-season standout, landing a Golden Globes nomination, a British Independant Film Awards nod, and six BAFTA longlist bids, besides making several prix lists and pulling in over $5 million stateside via Magnolia Pictures." And yet despite being given rave reviews by the upper echelons of the festival circuit, Io sono l'amore's success waned after it lost out to the other Italian contender for Best Foreign Film at the Academy Awards, Paolo Virzì's La prima cosa bella (2010). For now it remains among one of the better 'art films' that Italy has ever produced, in my opinion.
|Muted colors provide contrast as the story gets wild|
And of course there is Tilda Swinton. Not just any Tilda Swinton, but Tilda Swinton playing a Russian-turned-Milanese factory giant's wife who speaks in northern Italian dialect. It is a rare phenomenon when international stars appear in Italian films and speak in fluent Italian. Her demeanor is demure, maternal, conservative, respectable. In short, she is everything a noblewoman ought to be and a prize catch at that. Her austere physique, highlighted by prominent bones and luxurious Italian textiles, is paired with an undercurrent of deep internal unrest. Swinton does a fabulous job of combining all of these qualities into a complex, unique character. To top it off, the excellent casting of Emma's daughter Elisabetta, played by Alba Rohrwacher, balances Emma's rigid demeanor.
I highly recommend a watch for the technique alone, but the story is also one of a kind and worth the time.
Io sono l'amore. Dir. Luca Guadagnino. First Sun/Mikado Film, 2009. 120 min
Weissberg, Jay. "Review: I Am Love." Variety, 2009. http://variety.com/2009/film/reviews/i-am-love-1200476375/